The Dark Horse

Black And White Photography, Joseph, Photography

Image was taken with a Fujifilm X-E5 and XF 50mm f/2.0 lens

This camera is sort of a dark horse in the world of 1970’s rangefinder cameras. The Ricoh 500 G is a totally mechanical camera that uses a button battery to power the light meter. The camera can also be used in shutter priority mode by placing the aperture ring in the “A” position. The really nice thing about this camera vs the previous Canon rangefinders I have posted about is that the light meter stays active in shutter priority mode and also in manual mode. On the Canon rangefinders the light meter is only active in shutter priority mode. In order to shoot in manual mode with the Canon’s you must first memorize your light meter reading while the camera is in shutter priority mode then switch to manual a make your adjustments accordingly. The Ricoh has a tack sharp 40mm f/2.8 lens. The Canon’s seem to have a more robust build quality also IMHO. For example when you open the back of the Ricoh the door feels a little flimsy compared to the Canon’s. The controls on the Ricoh are precise but you really must have small hands to work them. The focusing ring is an exception because it’s on the front of the lens barrel so it feels like you are focusing an SLR camera rather than reaching for a lever towards the rear of the lens like the Canon’s.

Now let’s talk about what I had to do to get this camera ready to load some film. As usual the light seals were crumbling and had to be replaced. The seals on this camera are fairly basic so I cut my own out of a sheet of 1.0 mm light seal foam. That job went relatively smooth except for removing the previous adhesive. I usually use 99% isopropyl alcohol and Q-tips to saturate old light seals and let them sit for about 15 minutes. This usually results in making the adhesive removal a fairly quick job. Not so with this camera. I don’t know what kind of adhesive the previous technician used when they replaced the light seals but I almost was tempted to use a pneumatic jack hammer to remove it. After soaking and scraping multiple times the camera door was ready for the new light seals. Surprisingly the shutter and aperture blades were clean and working properly so all I had to do was clean the front and rear lens elements. Next up on the agenda was to clean the rangefinder and I purposely left this step for last because unlike the Canon’s where the top skin of the camera has to be removed to access the rangefinder the Ricoh is assembled like an ice cream sandwich and the front of the camera had to be removed to then remove the top to access the rangefinder. After a little head scratching to try and figure out the most efficient way to take this camera apart it was obvious I had to peel back the faux leather to access some screws and remove a few of the rings around the lens to get the job done. After that it was time to re-assemble everything and the finished product is displayed above. Now up for sale she goes.

To view this image in color please click – here

The Vigil

Photography

Some silences are too profound for words. Augustus Saint-Gaudens understood this when he created the Adams Memorial — modeled between 1886 and 1891, deliberately left untitled by its creator, resisting any single interpretation. This bronze cast resides at the Smithsonian American Art Museum, Washington DC. The full memorial stands in Rock Creek Cemetery, where it has kept its wordless vigil for over a century.

Terra Mater

Black And White Photography, Luminis Imago, Photography
Umbria, Italy – 2025-26

This image belongs to a photographic project aimed at featuring a perception of Nature as the eternal cycle of springing, decaying, and returning to the roots of the Earth. The images are accompanied by quotes from the ancient Latin author Plinius Senior, who, in his Historia Naturalis, praised Mother Earth (Terra Mater) for giving us life and nurturing, accepting our diseases, and finally giving us a safe shelter and staying with us forever.

Other images of the project can be viewed on the dedicated page in my own blog.

The Guardian

Black And White Photography, Marcus, Photography
The Guardian | Edfu | 2026

A photograph I actually took today. In an ancient Egyptian temple in the city of Edfu, located on the west bank of the Nile between Luxor and Aswan. The temple, 2250 years old and dedicated to the falcon god Horus, is considered one of the best-preserved temples in the entire country. Light shafts were falling into the interior of the temple, illuminating the hieroglyphs on the wall as well as the guardian who poses for the visiting photographer.

Taken with my Nikon Zf and the Nikkor Z 24-200mm f/4-6.3 VR, an awesome combo for travel photography, image specs 1/500 sec @f/6.3 and ISO 6400, 45mm focal length

More of my photography can be seen on my blog “Streets of Nuremberg

Back to Film

Black And White Photography, David, Photography

William

Nikon F4s Nikon Nikkor 50mm f/1.8D
Rollei Retro100asa
Caffenol-CM (That’s coffee and washing crystals and some vitamin C) for 12 mins.
Scanned with  a Nikon Z8 and Nikon NikkorZ 105mm macro lens using a Lomography negative holder.