Minimal compositions live or die by their negative space, and a pale Loire sky makes the perfect foil for this rusted bracket. The 70–300mm compresses the background to nothing and lets the curve of the iron command the frame. In black and white, the oxidised surface — which would read as orange in colour — becomes a rich mid-tone with visible texture. Slight underexposure keeps the sky subdued so the metal stays the clear subject.

From the article Montjean-sur-Loire — The Wrong Road, the Right Place on IJM Photography. Canon EOS 6D Mark II | 70–300mm.