Smithsonian American Art Museum in Washington, D.C..
She walks with her eyes closed, her hand reaching for something no one else can see. This is Lady Macbeth in her final unraveling – the sleepwalking scene from Act V, captured in white marble by German-American sculptor Elisabet Ney in 1905, just two years before her own death.
Ney gave her not madness but something quieter and more terrible: a woman entirely alone inside her own mind, still trying to clean what cannot be cleaned.
There is something fitting about encountering this face through two layers of separation – the veil the sculptor carved, and the museum case that now holds her. This is Fantasy Bust of a Veiled Woman (c.1865–1870), a glazed terracotta by Albert-Ernest Carrier-Belleuse, believed by some to be a portrait of Marguerite Bellanger – actress, courtesan, and one of the most talked-about women in Second Empire Paris. She looks downward, away from us, as if the gaze of the viewer is precisely what she is not interested in returning.
South Mountain Creamery, Maryland
Frederick, Maryland
Dogwoods in Spring, Washington DC
A candid portrait
Maymont – Mansion and Gardens, Richmond VA
Still life at first light captured via iPhone
Baltimore, Maryland
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