Leftovers, Woodbury, Connecticut
Cleaning up around the place and happened upon these remains from last year. I thought about rearranging them, but in the end I simply made a couple of exposures which I tried to develop to look like a platinum/palladium print using Snapseed on my iPad.
Pentax KIIs with 50mm f1.4 lens.
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Slept Late, Maine © Steven Willard
Vacations. The luxury of sleeping in late, and the guilt of knowing you’re wasting time. What to do, what to do? Today I slept late.
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Guggenheim Museum, NYC, 1972 © Steven Willard
I loved (love) Ezra Stolller’s architectural photographs, but on my first trip to New York City I had no illusions about the likelihood of coming anywhere close to his images of this famous Frank Lloyd Wright structure. All I had with me was the Pentax Spotmatic I had bought at the PX while I was in the Army, a cheap Soligar 28mm lens and a couple of rolls of Tri-X. How was I going to get anything with that combination on a bright contasty day with people milling around in the foreground? But as I walked, just like in the movies, I heard the voice of Robert Capa, “If your pictures aren’t good enough you aren’t close enough”. So, with the camera to my eye, I walked closer and closer, reframing every few steps until I had zeroed in on the “fold” of the façade where the “M”s come together. If you know the building those letters, and the sweeping arches above are enough.
It’s no Ezra Stoller, but I still like it.
Scanned from a gelatin print and reworked in Photoshop to more nearly match the original.
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On a quiet walk in the fog.