The elevator is out of order

Black And White Photography, Photography, Steven

Elevator is out of order © Steven Willard 

British Museum, New Haven, Connecticut, designed by Louis I. Kahn.

I-phone image processed in Snapseed

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The Russians were here

Black And White Photography, Photography, Steven

St. Sergius Chapel, Southbury, Connecticut © Steven Willard

Just off Interstate 84, in Southbury, Connecticut, is a small collection of houses that look a bit out of place, and the focal point of that collection is this tiny Russian Orthodox chapel that was built in 1930, financed in part by aviation pioneer, Igor Sikorsky.

Churaevka, named after a mythical village in a book by George Grebentschikoff,  was imagined, along with friend Count Illya Tolstoy, son of Leo Tolstoy, as a getaway for Russian expats to get together in woods that reminded them of home. The cottages, laid out along streets with names like Russian Village Road, Kiev Drive, and Tolstoy Lane, were originally planned as a retreat for a collection of artists, writers, musicians and dancers who had managed to escape the revolution and World War I. Here they entertained guests like composer Sergei Rachmaninov and the actor Michael Chekov. In addition to the chapel and cottages, there was also a print shop built by Grebentschikoff, which published a Russian language newspaper.

The Historic District counts 46 buildings, some converted from summer cottages to year round residences.

In my numerous visits to the chapel, I have never been able to gain access to the interior. While I sometimes find the door open, there is a grill that keeps visitors out, that, and the dimmly lit interior, has thwarted my efforts to photograph the inside successfully. I haven’t given up.

Olympus OMD-EM 1 with Zuiko 12-40mm f2.8 zoom, processed in Snapseed.

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Another #10

Black And White Photography, Photography, Steven

Another #10 © Steven Willard

If you live in England #10 might mean something else entirely.

Olympus OMD EM1 MK II with Zuiko 12-40mm f2.8 Pro zoom

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Nature takes it’s course

Black And White Photography, Photography, Steven

Nature takes it’s course © Steven Willard

The town mows this field to the edge of a small hillock that separates it from the woods that grows on the other side of a river. It’s there that Nature is allowed to do as it chooses.

Olympus OMD EM-5 with Zuiko 60mm f2.8 macro lens processed in Snapseed.

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Black And White Photography, Photography, Steven

Overhead © Steven Willard

Curious that on a recent trip to the garden center what I found most interesting was the roof of the greenhouse.

Ricoh GR III processed in Snapseed.

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Bronze Age

Black And White Photography, Photography, Steven

Door Handle © Steven Willard

Near noon on a summer day, the bronze handle to the door of the church is warm, as though all the parishioners who have ever entered left evidence of their touch.

Olympus OMD EM1MkII with M> Zuiko 12-40mm f2.8 Pro lens, processed in Snapseed.

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Garden Walk

Black And White Photography, Photography, Steven

Garden Walk © Steven Willard

Out for a stroll in a garden on a sunny Saturday afternoon.

Ricoh GR III jpeg file processed in PS Express and Snapseed

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Sore Thumb © Steven Willard

Every time I drive past this I say a little curse at the owner of the property for leaving such an eyesore.

Olympus OMD EM1MkII with Zuiko 40-150mm f2.8 Pro zoom, processed in Snapseed.

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Trinity Church

Black And White Photography, Photography, Steven

Trinity Church, Milton, Connecticut © Steven Willard

I don’t think one has to be religious to appreciate the design of Trinity Church located in the hamlet of Milton, Connecticut. Designed by architect Oliver Dickson, construction of this Greek Revival church was begun in 1802 and completed in 1826. The church houses an organ that was installed in 1823, making it one of the oldest in New England.

Olympus OMD-EM1MkII with 12-40mm f2.8, processed in Snapseed.

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Fence with irises

Black And White Photography, Photography, Steven

Fence with irises© Steven Willard

This is one of those situations where the eye sees differently from the camera. From the car, I saw the white iris blossoms separate from the white pickets and the stone corner post, both of which I have photographed before under different conditions. The trick of the eye, however, was that I managed to isolate the blossoms from the background at least until I got out of the car with my camera and looked through the viewfinder. At that point it was obvious that the blossoms were going to be lost against the background. My eyes had tricked me. It reminded me of all the portraits I had made with phone poles coming out of the subjects heads.

Well, I went ahead and took the picture anyway, knowing that it wasn’t going to work. The strange thing is that It kind of does anyway. That, I didn’t expect. It is as though, being familiar with the blossoms, and the pickets, and the stone, my mind could separate them, make order out of disorder. Does that make sense?

Olympus OMD-EM1MkII with Zuiko 40-150mm f2.8 zoom, processed in Snapseed.

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