Black And White Photography, Photography, Steven

Boneyard © Steven Willard

When the electric company diverts part of the Housatonic River, this part of the riverbed is exposed and accessible; you just better pay attention and not get caught when they open the floodgate!

Canon G10 processed in Snapseed.

Visit my blog here

The Little Things

Black And White Photography, Photography, Steven

Little Things © Steven Willard

Sometimes it’s the little things we remember about a building. Maybe it’s the door handles, or the tile work in the bathrooms. Perhaps it’s the light switches or the cabinet pulls in the kitchen. These are the little things down at the human scale where we can touch them, and they often speak to us in ways that are more meaningful than tall columns or dramatic arches and domed ceilings. This ornate offering is a detail of a gate post I came upon in Washington, Connecticut.

OLYMPUS OMD EM1, 40-150mm f2.8 zoom, processed in PS Express and Snapseed.

You can visit my blog here


Black And White Photography, Photography, Steven

Hoop, Bridgewater, Connecticut © Steven Willard


They played till they were tired

Though none would be the first to quit.

But when they couldn’t find the ball

They didn’t look too hard for it.


You can visit my blog


Black And White Photography, Photography, Steven

Useless, Roxbury, Connecticut © Steven Willard


Even a stopped clock

is right twice a day

A sundial in the shade

is useless

Olympus OMD EM1 with 40–150mm f2.8 zoom. Developed in Snapseed.

Al Fresco

Black And White Photography, Photography, Steven

Al fresco © Steven Willard

I find it difficult to ignore patterns, textures and light-play when looking for potential photographs. Add a small dose of mystery and I’m hooked.

I’m not quite sure why the owners of this restaurant chose to fence it off from the sidewalk. Was it to keep patrons from leaving without paying? Or, perhaps it’s a case of not wanting to have their tables and chairs stolen; in that case it’s like closing the gate when the horse is already gone.

Pentax K5IIs with 15mm lens. The challenge here was getting everything lined up to my satisfaction, made more difficult by the wide lens.

Please visit my blog

Steven R

Black And White Photography, Photography, Steven

Steven R

There is some debate about whether or not a portrait should show the eyes to be successful. I guess I come down on the side that says, “it depends”.

I hope you will visit my blog at


Joseph Conrad

Black And White Photography, Photography, Steven

Joseph Conrad, Mystic Seaport, Mystic, Connecticut © Steven Willard

Walking down the paths of Mystic Seaport Museum, it’s easy to imagine another time. A time when young men (mostly) often dreamed of going to sea to reinvent themselves. It didn’t always turn out the way they hoped. As I walked towards the Conrad all I could see was her tops. She looked like a ship, hull down in a sea of shingles.

Visit my blog at

Naked Tree

Black And White Photography, Photography, Steven

Naked Tree © Steven Willard

I wonder if trees dream, and if they do, I wonder if they ever dream of being caught outside in broad daylight naked? Have you ever had that dream? Scary, right?

Pentax K5IIs with kit zoom.

Please visit my blog at

Here’s Looking at Yew

Black And White Photography, Photography, Steven

Here’s Looking at Yew © Steven Willard

I’m a sucker for farm animals. Especially the friendly, curious ones like this who had learned that people would offer an apple core or a scratch on the head. HOw could they not?

Panasonic Lumix G3 with the little Panasonic 17mm f1.7 lens, processed in Snapseed.

To see more of my photographs visit

The glazer’s bad dream

Black And White Photography, Photography, Steven

Glazer’s bad dream © Steven Willard

The outbuilding was some way off the road. What caught my eye was the reflection of the sun off the broken glass. As photographers we are constantly searching for interesting elements; lines, textures, contrasts, and tones, and hopefully meaning*, which offerers the biggest challenge. Does the image serve as a metaphor for something deeper?

*Minor White asked us to not just, “photograph a thing for what it is, but for what else it is”, which I believe is the best advice to photographers anyone ever offered, “f8 and be there”, a close second.

Olympus OMD EM1 with 40-150mm f2.8 lens, processed first in Snapseed® then moved to Nova® for conversion to black and white.

Please visit my blog at