
Minimal compositions live or die by their negative space, and a pale Loire sky makes the perfect foil for this rusted bracket. The 70–300mm compresses the background to nothing and lets the curve of the iron command the frame. In black and white, the oxidised surface — which would read as orange in colour — becomes a rich mid-tone with visible texture. Slight underexposure keeps the sky subdued so the metal stays the clear subject.
From the article Montjean-sur-Loire — The Wrong Road, the Right Place on IJM Photography. Canon EOS 6D Mark II | 70–300mm.

Appreciate the explanation! Nicely done!
LikeLiked by 1 person
I’m going to try and make all my posts like that. I know the image should do the heavy lifting, but a little ontext never hurt…
LikeLike
Fantastic image Ian 👍🏻
LikeLike
Thanks Joe!
LikeLiked by 1 person
👌🏻That’s a great image! The negative space really helps it stand out.
LikeLiked by 1 person
Thank you so much!
LikeLiked by 1 person